Archive for the ‘Press’ Category

Computer Graphics World explores how our iPi Motion Capture technology is being used to create safe industrial warehouse settings and assembly areas for humans working alongside cobots, collaborative robots. Read the Q&A with Marco Capuzzimati, a research fellow at the University of Bologna, who is streaming mocap data from iPi Mocap Studio to Unity to analyze biomechanical movements and produce ergonomic designs to maximize operator satisfaction and system performance. https://bit.ly/3CH2XNS

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Thank you Digital Media World for reporting on our exciting plugin announcement for iPi Mocap and Unreal Engine. This integration is an ideal real-time workflow solution for game developers, virtual production content creators, and more. Take a look at the news here.

https://digitalmediaworld.tv/animation/3534-ipi-soft-develops-real-time-integration-for-ipi-mocap-and-unreal-engine

#iPiSoft #iPiMocap #UnrealEngine #gamedev #virtualproduction #motioncapture #DigitalMediaWorld

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iPiSoft’s Founder/Chief Creative Architect, Michael Nikonov, shares his thoughts in PostMagazine’s annual “Outlook” issue on trends that 2021 may bring to markerless motion capture technology.

Read Full Interview>>

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Curious about markerless motion capture software in production? In a recent interview iPi Soft Founder and CTO, Michael Nikonov, spoke about the benefits of using its iPi Mocap during the ongoing Coronavirus pandemic.

Published on Shoot Publicity Wire: https://bit.ly/3lV8xCC

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Dessignare Media published iterview with our CEO Michael Nikonov in Spanish.

Link to the inverview:

https://www.dessignare.com/2020/10/el-futuro-del-motion-capture.html

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In a recent interview with Production HUB, our CEO and CTO, Michael Nikonov, spoke about the benefits of using iPi Mocap during the ongoing Coronavirus pandemic. With Hollywood live action productions largely suspended and college animation students in the U.S. recently returning to an online learning environment, he outlines that our markerless motion capture software can find its place in the complex production pipelines of the big studios and is particularly effective for concept testing, previz, and background animation of large crowds or secondary characters that don’t require high levels of detail. The motion capture system can also be done at home or in a small office space, making it a good choice for remote work and learning.

Read more: https://www.productionhub.com/blog/post/the-state-of-the-markerless-motion-capture-art-with-michael-nikonov

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The iPi Soft founder and CEO Michael Nikonov discusses the current state of markerless motion capture animation technology, including real-time tracking and live streaming.

Published at Animation World Network (AWN)

#motioncapture #iPiMocap #AWN #UnrealEngine #Unity

Article is available here:

https://www.awn.com/news/five-minutes-mocap-michael-nikonov

Image from the game, ‘The End of the Sun.’ Game images © www.endofsun.com.

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Exclusive interview:

Our Founder and CTO, Michael Nikonov, was recently interviewed for Renderosity Magazine. The piece covers recent #iPiSoft updates to our markerless iPi Motion Capture software solution and tips for how content creators can easily bring motion capture in their workflow.

#motioncapture #iPiMocap #Renderosity #UnrealEngine

Article is available here:

https://renderositymagazine.com/article/5570/interview-with-michael-nikonov-founder-of-ipi-soft

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The current June/July issue of Animation Magazine features a deep dive into how lead CG artist Brandon Parvini and the team at the Los Angeles-based VFX studio Bemo effectively incorporated iPi Soft markerless motion capture technology into its workflow. Parvini notes how the show’s demanding schedule requires a fast and flexible, real-time motion- capture system, which is critical in the post-production pipeline (which also includes Cinema 4D, After Effects and ZBrush).

“We’re given a rough notion of the creative direction for CG character development based on all the creative parameters that exist,” Parvini says. “We are pretty much run-and-gun. While the edit is still being locked down, we are moving into 3D animation and solving tech and creative asks that come up. The moments where I need a capture, I pull out the Kinect, place it on a stool and capture action right there at my desk in roughly a 4×4 foot space.”

Full text in PDF>>

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